I’m endlessly fascinated by Neflix’s elaborate algorithm for guessing what people will enjoy. I noticed a while ago it simply gave up suggesting horror movies to me, because it just couldn’t figure out that I loved horror films, but that I like them to be, y’know, good. I’m also amused that “foreign” is apparently a genre.
But here’s something that cracked me up today:
Netflix calls them “Violent Foreign Crime Movies.”
I think they should call them “OH SHIT MAN POINT A GUN AT THE POSTER BORDER! Movies.”
Even better, if I scroll to the right… THERE’S MORE!
Episode 161 of The Geek Life is here! Find out about questionable computer peripheral design and where you can drive a tank!
This last weekend, I went to Itasca State Park in northern Minnesota. This is the home to Lake Itasca, the lake that marks the origin of the mighty Mississippi River, which flows 2,500 miles away from the park. I waded all the way across the Mississippi in about eight steps.
I also climbed a fire tower. Go, me!
Sadly, I forgot to charge my camera before leaving home, so I don’t have many photos. But here are a few. Enjoy!
About four months ago, I wrote a bit about The Megalist, the completely insane statistical method I use to push myself to watch awesome movies I’d never seen before. After many years of using the tool, I noticed something interesting.
The tool pulls in data from various “Best of [Genre]” lists from IMDB and Rotten Tomatoes. On most of these lists, the movies don’t move around much. For example, Sunset Boulevard has been in the #1 spot of IMDB’s Film Noir Top 50 for ages. The films below it shuffle around in ranking a little, but mostly they’re the same titles. This is because nobody really makes great Films Noir anymore, so nothing is going to bump White Heat from the list.
The other lists get a little more life from newer movies (i.e., Inception stormed onto some of these lists last year), but still mostly reflect the classics.
Except for the Documentaries lists, from both IMDB and Rotten Tomatoes. The turnover is HUGE every time I update The Megalist. It’s nearly impossible to make headway against these lists, percentagewise, because new “OMG BEST OF ALL TIME” documentaries are charging onto the lists faster than I can watch them.
I find this fascinating.
I believe this is because most audiences have trouble separating an interesting subject from the actual crafting of a documentary film. I can’t tell you how many “OH WOW WATCH THIS AMAZING DOCUMENTARY BEST I’VE EVER SEEN !!1!11!!!” docs I’ve watched that turned out to be interesting diversions, yet were nonetheless only ordinary pieces of filmmaking.
This is where Everyday Sunshine: The Story of Fishbone comes in.
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Last week, I posted about my friend Rachel, whose mother may never get the chance to meet Sagan, Rachel’s month-old son.
This morning, THE GOAL WAS MET! Rachel is now buying tickets to bring Sagan across the country to grandma. Friends, family, and YOU GUYS made this possible.
Thank you to everyone who pitched in. Every dollar helps. Heck, if you want to throw even a few more dollars into the pool, I know it will be deeply appreciated. Those of you who have kids know that they tend to have unpredictable costs, and Rachel’s money situation is extremely tight.
But once again, THANK YOU!